{"id":264562,"date":"2024-06-05T16:19:55","date_gmt":"2024-06-05T16:19:55","guid":{"rendered":"https:\/\/m07arte.com\/?post_type=project&p=264562"},"modified":"2024-08-02T15:18:09","modified_gmt":"2024-08-02T15:18:09","slug":"funerary-urn-with-shoulder-head-attachment","status":"publish","type":"project","link":"https:\/\/m07arte.com\/de\/project\/funerary-urn-with-shoulder-head-attachment\/","title":{"rendered":"Funerary Urn with Shoulder-Head Attachment"},"content":{"rendered":"

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Funerary Urn with Shoulder-Head Attachment
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Urn
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Funerary urn of Yang-shao-Culture consists of two main parts: the body of the vessel and the anthropomorph shoulder-head attachment. Yellow clay with violet-black painting. <\/span>
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Object ID
<\/strong>Neo_002<\/span><\/p>\n

Age<\/strong>
<\/strong>2200 – 1500 BC
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Material
<\/strong>Ceramics
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Color
<\/strong>yellow, violet and black
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Height
<\/strong>(coming soon)<\/span><\/strong><\/span><\/p>\n

Diameter
<\/strong>(coming soon)
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Condition
<\/strong>Good
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Price
<\/strong><\/span>on request<\/a><\/span><\/span><\/p>\n

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Description<\/span> <\/a><\/strong><\/span>[1]<\/span><\/sup><\/strong><\/a><\/span><\/h1>\n


<\/strong>This funerary urn of Yang-shao-Culture is a very rear and extraordinary example as a completely preserved two-part burial vessel. There is the body of the vessel and the anthropomorph shoulder-head attachment. The urn has a convex shape on the upper and a concave on the lower part and a small flat bottom. Two eylet handles are attached at the widest point of the reveal. The edge finish on the shoulder shows a five-wavy design. This place laid how finely the walls of the vessel were designed and why they were quite lightweight. Potters preferred \u201eyellow earth\u201c existing in high quantities under the loess around the area of the Yellow River. While fine yellow clay was used for the design of the body of the urn, the painting with ground natural substances in red-violet, black and white took place before firing in the kiln. [2]<\/a><\/span><\/span><\/p>\n

In the overall view (with attachment) the painting appears in six concentric double-tapes of violet and black colors and five white so-called \u201esawtooth belts\u201c which were firstly interpreted as motifs for death by the Swedish archaeologist Johan Gunnar Andersson. Since the 1920th closely connected to excavations in China he came to the conclusion that those motifs only exist on vessels of ceramics which were brought to light from graves. [3]<\/a><\/span> At the hight of the handles the vessel is surrounded by a black garland. The bottom is dark-yellow and has traces from burning support. The lines indicate the spread of such vessels through Central Asia to Persia and the valley of the Indus. [4]<\/a><\/span><\/span>
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An elongated head, a cylindric neck and broad shoulders form the attachment. This is hollow inside. The wavy edge fits excactly on the opening of the neck-shoulder line. On the frontside of the head is a face possibly of a shaman [5]<\/a><\/span> or an ancestor [6]<\/a><\/span> with slightly modelled closed eyes, a more contoured \u00a0nose and a depressed mouth area with an opening. The five-fold finely notched ears have small holes for earrings. [7]<\/a><\/span> The backside of the head is painted with two upward-facing serrated bands, one at the neck, the other from the back of the head. Around the face and the top of the head is a band crossed over the forehead which frames the face. The top of the head bears a four-part motif that is framed in black.<\/span><\/p>\n

Often is talked about the \u201eEconomism\u201c regarded to the Neolithic period. That means that different cultures came into contact because originally sedentary populations had to relocate due to floods and other natural disasters. [8]<\/a><\/span> (HV)<\/span><\/a><\/a><\/a><\/span><\/span><\/span><\/span><\/a><\/span><\/span><\/span><\/p>\n

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________________________<\/span><\/p>\n

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[1]<\/a><\/span> Datierung der neolithischen Kulturen nach den Resultaten der Analysen mit dem Karbon-14-Test.<\/em> In: Beurdeley, C\u00e9cile und Michel (1974): Chinesische Keramik. Ein Handbuch. Hirmer Verlag M\u00fcnchen. 17-18
<\/span>[2]<\/a><\/span> Beurdeley, C\u00e9cile and Michel (1974): Chinesische Keramik. Ein Handbuch<\/em>. Hirmer Verlag M\u00fcnchen. 14-20
<\/span>[3]<\/a><\/span> Beurdeley, (ibid.): 20, Abb.6\/ Willetts, William (1968): Das Buch der Chinesischen Kunst. Von der Jungsteinzeit bis heute. Econ Verlag D\u00fcsseldorf, Wien. 34, Abb. 3, 27, 41
<\/span>[4]<\/a><\/span> Watson, William (1980): China, Kunst und Kultur<\/em>. Verlag Herder Freiburg im Breisgau. 22
<\/span>[5]<\/a><\/span> Willetts, (ibid.): 23
<\/span>[6] <\/a><\/span>Lee-Kalisch, Jeonghee (1995): 3 Menschenmaske. In: Das Alte China: Menschen und G\u00f6tter im Reich der Mitte. 5000 v. Chr. \u2013 220 n.Chr.; Kulturstiftung Ruhr, Essen. Villa H\u00fcgel, 2. Juni 1995 \u2013 5. November 1995. Veranst. Der Ausstellung: Kulturstiftung Ruhr. M\u00fcnchen, Hirmer 1995. 173 \u2013 174.
<\/span>[7]<\/a><\/span> Lee-Kalisch (1995): 174
<\/span>[8]<\/a><\/span> Beurdeley, (ibid.): 14<\/span><\/p>\n


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Contact us<\/h2>\n

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Funerary Urn with Shoulder-Head AttachmentUrn Funerary urn of Yang-shao-Culture consists of two main parts: the body of the vessel and the anthropomorph shoulder-head attachment. Yellow clay with violet-black painting. Object IDNeo_002 Age2200 – 1500 BC MaterialCeramics Coloryellow, violet and black Height(coming soon) Diameter(coming soon) ConditionGoodPriceon request Description [1] This funerary urn of Yang-shao-Culture is a […]<\/p>\n","protected":false},"author":1,"featured_media":264564,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[7],"project_tag":[137],"class_list":["post-264562","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-early-ages-collection","project_tag-neo_002"],"_links":{"self":[{"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/project\/264562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/comments?post=264562"}],"version-history":[{"count":6,"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/project\/264562\/revisions"}],"predecessor-version":[{"id":265358,"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/project\/264562\/revisions\/265358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/media\/264564"}],"wp:attachment":[{"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/media?parent=264562"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/project_category?post=264562"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/m07arte.com\/de\/wp-json\/wp\/v2\/project_tag?post=264562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}