[et_pb_section fb_built=”1″ custom_padding_last_edited=”off|desktop” admin_label=”Header” _builder_version=”4.23.1″ background_color_gradient_direction=”188deg” background_enable_image=”off” background_size=”initial” background_repeat=”repeat” width=”100%” custom_padding_tablet=”5vw||5vw||true” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”off|phone” _builder_version=”4.23.1″ background_position=”bottom_center” width=”75%” max_width=”75%” min_height=”251.2px” custom_padding_tablet=”17vw||17vw||false” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ text_font=”||||||||” header_font=”||||||||” header_2_font=”Prata|500|||||||” header_2_text_align=”left” header_2_font_size=”56px” header_2_line_height=”1.3em” header_4_font=”|700|||||||” header_4_font_size=”16px” header_4_line_height=”1.2em” transform_translate_linked=”off” max_width_tablet=”70%” max_width_last_edited=”off|phone” custom_padding=”||0px|0px||” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Brush holder with square bottom and four openwork surfaces. Decoration with honey-comb patterns,bands of meander and lotus leaves. Light celadon glaze.<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ _builder_version=”4.23.1″ _module_preset=”default” width=”75%” max_width=”75%” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/m07arte.com\/wp-content\/uploads\/2024\/05\/korea_035-brush-holder-light-celadon-front-perspective.jpg” title_text=”KOREA_035 – Brush Holder (light celadon) – Front Perspective” disabled_on=”on|off|off” _builder_version=”4.23.1″ _module_preset=”default” hover_enabled=”0″ border_radii=”on|15px|15px|15px|15px” global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_gallery gallery_ids=”264418,264421,264422,264423,264424″ posts_number=”12″ show_title_and_caption=”off” show_pagination=”off” zoom_icon_color=”#971C21″ hover_icon=”.||divi||400″ _builder_version=”4.23.1″ _module_preset=”default” border_radii=”on|15px|15px|15px|15px” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”]<\/p>\n Object ID Age<\/strong> Material Color Height Length Width Condition [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” custom_margin=”-8.5%||||false|false” custom_margin_tablet=”-2.5%||||false|false” custom_margin_phone=”-5%||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” global_module=”264708″ saved_tabs=”all” global_colors_info=”{}”]<\/p>\n Price <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ width=”75%” max_width=”75%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” custom_padding=”||1px|||” inline_fonts=”Prata” global_colors_info=”{}”]<\/p>\n The brush holder has a square base plate that is elaborated to standfeet at the corners and shows curved elements in between. Four openwork surfaces were built up at the bottom plate. Then the side plates were stabilized by a common white border. The decoration of the sidewalls of the brush holder was done in the specific \u201ekakkib\u014dp-technique\u201c. That means openwork patterns by carving, relief or inlay. In our case each of the surfaces is broken through by interesting honey comb patterns. At the top each oft he side walls is finished at the top with a meander band and to the bottom with lotus leaves. The box and the bottom are completely covered by a light celadon glaze except the stand elements. The manufacturing process was very difficult. Firstly, simple engraving techniques were used. When potters intended to produce several objects with the same decoration, they developed the method to preform patterns by the help of stamps or formed reliefs, and finally the motifs were cut through the clay. This was a method for the decoration of Korean Celadon objects. It challenged excellent skills from the craftsmen, particularly because of the stability. Above that, proceedings in burning and drying made those objects very breakable. Therefore, the \u201ekakkib\u014dp-techniques\u201c were only used for luxurious Seladon wares like brush holders, headrests or cosmetic boxes. [1]<\/a><\/span> (HV)<\/span><\/a><\/a><\/a><\/span><\/span><\/span><\/p>\n
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<\/strong>Korea_035<\/strong><\/span><\/p>\n
<\/strong>early 12th century (?)
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<\/strong>Ceramics \/ celadon
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<\/strong>light celadon
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<\/strong>12.2 cm<\/span><\/p>\n
<\/strong>10.8 cm<\/span><\/p>\n
<\/strong>10.5 cm<\/span><\/p>\n
<\/strong>Very Good
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<\/strong><\/span>on request<\/a><\/span><\/span><\/p>\nDescription<\/span><\/h1>\n